Blue hours
textile print, aquarelle
2025

 

Watercolor painting is an intimate process for me. The small scale of my paintings means that the level of my concentration, my emotional state, and even the rhythm of my breathing significantly influence how each gesture unfolds on the paper. The movement and absorption of the pigment, the blending of colors, and their dissolution are the moments in which the essential elements of the work emerge.
 

These works often revolve around the path of a single drop of water and the microcosm that surrounds it. In the installation, the small-scale paintings are enlarged and printed onto translucent white fabric. Through this shift in scale, tiny gestures begin to operate as if defying the laws of physics.

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Because of the altered scale, only the anatomy of the water droplets hints at the original dimensions of the paintings, while the various flow directions suggest shifting gravitational forces. This inner world unfolds before the viewer as a vast panorama, marked by the paradoxical coexistence of visibility and invisibility.

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